CHARLES BOIT (1662-1727), ATTRIBUTED TO
PORTRAIT OF KING LOUIS XIV

CHARLES LE BRUN (1619-1690), AFTER
PORTRAIT OF KING LOUIS XIV

FEDOT IVANOVITCH SHUBIN (1740-1805), CIRCLE OF
CATHERINE II, EMPRESS OF RUSSIA

Paul CHMAROFF (1874-1950)
Study of horses and barzoï

Paul CHMAROFF (1874-1950)
Swimmers

Pierre BRUN (1764-1856)
Portrait of a young woman

Horace VERNET (1789-1863)
Cossack on his horse

MARCO RICCI (1676-1730), circle of
Country landscapes, animated with characters

Gustave KELLER (1879-1955)
Project for an Empire-style silver-gilt teapot

Pierre MIGNARD (1612-1695), after
Equestrian portrait of Louis XIV crowned by Victory during the siege of Namur

Nicolas ISSAÏEV (1891-1977)
Homage to André Lanskoy (1975)

Jean-Baptiste Adolphe GIBERT (Pointe-à-Pitre, Guadeloupe 1803-Paris 1889)
Sun setting over the mountains in Italy

Louis XIV, King of France (1638-1715)
Protection granted to Fine Arts / 1663

Icon of the Mother of God of Alexandria
Tempera and gold on wood panel, green border

Jean-Antoine-Théodore GIROUST (1753-1817), attributed to
Portrait of Louis Jacques Charles Bilderbeck de Vendôme (1769-after 1799), lieutenant of the Bercheny hussars regiment, circa 1791

French school of the mid-19th century
Rare view of the Hôtel de Crillon in 1850

Eugène Georges HUOT (active circa 1870)
View of Leuchtenberg Palace in Peterhof

A plaque painted on porcelain imitating a cameo
From Empire period

French school from Restauration period
Portrait of King Charles X

Grand Duchess Olga Alexandrovna of Russia (1882-1960)
Vast plain on a background of purplish sky

Dmitrieff, Russian school of early 20th century
The colors of the sea

An important icon of the Three Hierarchs
Representing Saints Grigory, Vasily and Ivan

GARNERAY Auguste (Paris, 1785-1824)
Royal scene in a neo-Gothic interior

BAKST Léon (1866-1924)
Costume design for The Tragedy of Salome